Guest Post : How Victorian ideals shaped Australia

Welcome to this guest post by Sam Mee, the founder of the Antique Ring Boutique.

https://commons.wikimedia.org/wiki/File:Queen_Victoria_outside_the_Queen_Victoria_Building_in_Sydney_2011.jpg

Walk through Australian cities today and you can’t miss their 19th-century Victorian inheritance. St Paul’s Cathedral towers above Melbourne’s commercial skyline while Flinders Street Station still dictates the city’s transport logic, much as the original terminus did 150 years ago. Sydney’s sandstone buildings, like the General Post Office, continue to project institutional power even among more modern buildings.

https://commons.wikimedia.org/wiki/File:Melbourne_Cityscape_1959_with_Fountain_and_St_Paul_Cathedral.jpg

The permanence isn’t just a historical quirk. These buildings were designed not just to endure but to control and instruct – to assert order, authority and moral certainty in a society that Britain worried might otherwise unravel. Victorian Britain did not aim just to colonise Australia. It wanted to transplant moral and cultural discipline.

Of course, this project did not unfold on empty land. Victorian ideals were imposed on landscapes that already been shaped by Indigenous law, culture and knowledge system. And the way they were enforced was inseparable from dispossession and violence. Churches, railways, schools and civic institutions became instruments of exclusion as well as of order.

Exporting Victorianism

Victorian ideals arrived in Australia as more than vague notions of Britishness. They formed a coherent ideology grounded in Protestant morality, faith in progress, social hierarchy and the conviction that civilisation could be built. Victorian administrators thought firm guidance was needed to keep stable a distant colony populated by convicts and Indigenous peoples.

https://upload.wikimedia.org/wikipedia/commons/d/d8/Henry_Parkes_and_Eleanor_Dixon_Parkes_%28cropped%29.jpg?20181227204743

Henry Parkes, often called the “Father of Federation”, shows how Victorian ideals hardened into Australian institutions. He rose from poverty through self-education, exemplifying the Victorian belief in self-help. As Premier of New South Wales, he promoted social improvement through free, compulsory education, through public works and through welfare reforms. These reflected the conviction that a civilised society could be built through institutions. He combined liberal reform with strong imperial loyalty. He championed representative government and also tried to end convict transportation while remaining devoted to Britain, famously describing a “crimson thread of kinship” linking the colonies and the Crown. His 1889 Tenterfield Oration (https://www.nma.gov.au/defining-moments/resources/tenterfield-oration) framed Australian federation as both a moral and national destiny.

Moral regulation in a new land

British Victorian society had strict moral codes and Australian colonial authorities quickly tried to impose these same standards of sexual propriety, sobriety and religious observance.

Licensing laws such as Victoria’s Licensing Act of 1852 and New South Wales’s Sale of Liquors Licensing Act of 1862 (NSW) regulated pubs in gold-rush towns, restricted opening hours and gave the police broad powers of inspection. Police courts in centres like Ballarat routinely prosecuted public drunkenness, treating excessive drinking as a moral/civic offence. Temperance organisations such as the Woman’s Christian Temperance Union gained influence in the late 19th century, alongside Sunday trading restrictions and Sabbath laws that enforced Protestant ideals of work and rest. Marriage and family life were seen as defences against disorder with women cast as moral guardians of the home. These views persisted – in Victoria, for instance, public drunkenness was only formally decriminalised in 2021. And retail hours are still restricted on Sundays in several states. You can listen to the history of Australia’s licensing laws here: https://www.abc.net.au/listen/programs/latenightlive/history-alcohol-law-australia/101969150.

Some colonies copied British Contagious Diseases Acts (CDAs) between the 1860s and 1880s, mirroring (and in some cases outlasting) UK laws designed to combat sexually transmitted disease. The laws allowed police to forcibly examine and detain women suspected of prostitution in “lock hospitals” for treatment, leading to severe restrictions on their liberties. These measures directly replicated British practice, where working-class women in towns and ports were subjected to compulsory medical examination. Obviously the view was that female sexuality, not male behaviour, posed the greatest social risk. Overall, the idea of respectability divided “deserving” settlers from unruly miners, the urban poor and racially marginalised groups. In practice, this meant that poor and working-class women could be detained without trial on the basis of suspicion alone, while male clients faced no equivalent scrutiny.

Gothic architecture and the moral landscape

Few legacies of Victorian influence are as obvious as Gothic Revival architecture (see examples here: https://www.thearcagency.com.au/resources/echoes-of-gothic-the-lasting-influence-of-church-architecture-on-modern-design

St Stephen’s church in Elizabeth Street in Brisbane, 1862 Https://upload.wikimedia.org/wikipedia/commons/c/cf/StateLibQld_1_118860_St_Stephen%27s_church_in_the_centre_of_a_panoramic_view_taken_in_1862.jpg

This look came to dominate Australian cities – and still does in its historic centres – because it offered a powerful visual language for imperial identity. It was closely associated with Britain and Christian tradition and favoured by both Anglican and Catholic institutions, particularly under the influence of Augustus Welby Pugin. His designs allowed medieval forms to be convincingly reproduced using local materials such as Sydney sandstone and Melbourne basalt. Stained glass and ornate stonework were used not only on churches but also on public buildings and railway stations to give a deliberately European feel. Funded by gold-rush wealth, Gothic Revivalism gave new Australian cities a sense of cultural depth. Indeed, Pugin’s writings argued that Gothic architecture was inherently moral and superior to classical styles associated with paganism or republicanism. Gothic forms also appeared in secular institutions such as the University of Melbourne, where medieval architectural language lent new colonial education the authority and gravitas of ancient European learning.

Controlling gold rush towns

The mid-19th century gold rushes posed the biggest challenge to Victorian ways of thinking in Australia. From the early 1850s finds in New South Wales and Victoria, gold discoveries drew in hundreds of thousands of migrants from Britain, Europe, China and North America. Rapidly expanding settlements of tents and diggings emerged near goldfields almost overnight, forming makeshift towns outside of existing established law and infrastructure. These boomtown societies were dominated by single men of many races who gambled and drank alcohol – all things that Victorians associated with moral disorder. (Watch a live sketch history of the gold rush here: https://www.youtube.com/watch?v=iU9iV56F86s

At first, the colonial authorities tried to impose control using a mining licence system, which required diggers to pay fees and submit to police inspections. Resentment at this system led to the 1854 Eureka Stockade, an armed uprising by miners at Ballarat against what arbitrary taxation and heavy-handed policing (https://www.nma.gov.au/defining-moments/resources/eureka-stockade).

Eureka Stockade Riot, Ballarat, 1854, by John Black Henderson : https://upload.wikimedia.org/wikipedia/commons/0/0d/Eureka_stockade_battle.jpg

Although this rebellion was quickly put down, it did force the colonial governments to reconsider how to control the goldfields. And so after Eureka, reforms in 1855 replaced the punitive licence system with the Miner’s Right, regulating who could mine while linking access to political rights. Colonial police forces were expanded to enforce order and were complemented by town planning schemes that rapidly replaced tents with surveyed streets and permanent buildings.

What’s crucial, though, is that these measures were not simply about managing gold extraction but were designed to transform rough and ready mining camps into disciplined communities. Colonial governors such as Sir Charles Hotham, who governed Victoria from 1854 to 1855, saw the goldfields as moral battlegrounds. His policies reflected a broader Victorian belief that order and institutions could convert chaotic frontier settlements into respectable towns aligned with imperial ideals of civilisation.

Infrastructure as moral progress

Victorian faith in progress was enthusiastically expressed in infrastructure. Railways, roads, bridges, telegraph lines and sanitation systems were celebrated not only as practical achievements but as a sign that civilisation was taking root. Projects such as the expansion of the Victorian rail network from Melbourne into the goldfields and the introduction of sewerage systems in cities were framed as evidence of discipline. These projects were celebrated as civilising achievements, ignoring their effect on land already structured by Indigenous knowledge systems.

Railways in particular embodied Victorian ideology – both in Australia and back in the UK. Contemporary figures such as Alfred Deakin, writing in the 1880s and 90s, described railways and water schemes as the way that Australia could be “made” into a modern nation rather than a scattered frontier.

Timetabled rail services also standardised time across the colonies and tied distant towns into a coherent administrative and economic system. Rail tracks shot out from colonial capitals to ports and mining centres. They promised equality of access but enabled state surveillance and government control over movement.

Less acknowledged was the cost: colonial infrastructure routinely cut across Indigenous landscapes and songlines with rail corridors, and property boundaries that reflected British priorities rather than local ones. Victorian progress was never neutral. It imposed a single vision of order at the expense of others, a legacy that remains embedded in Australia’s built environment and public debate: “Aboriginal people’s entanglements with the New South Wales railways have involved dispossession, removal, employment, mobility, and travel, including the forced removal of children known as the Stolen Generations.” (https://onlinelibrary.wiley.com/doi/10.1111/1745-5871.12675)

Long-term effects

Modern Australia likes to imagine itself as egalitarian and forward-looking but much of its social and physical landscape was shaped by the Victorian worldview. And a similar gap between ideal and reality existed in the 1800s. Alcohol consumption remained high. Violence persisted. The promise of moral uplift frequently clashed with economic exploitation and racial hierarchy.

These contradictions remain visible today. Australia continues to wrestle with the legacy of Victorian moral frameworks imposed on Indigenous communities, particularly through education, land use, legal systems and violence (https://www.workingwithindigenousaustralians.info/content/History_3_Colonisation.html).

Victorianism didn’t just build colonial Australia; it sought to discipline it. And the structures through which that discipline operated still shape Australian life today.

About the author

Sam Mee is the founder of the Antique Ring Boutique (https://www.antiqueringboutique.com/en-au), and sells rings from the Georgian, Victorian, Edwardian and Art Deco eras. You can read more about Victorian jewellery here: https://www.antiqueringboutique.com/en-au/pages/victorian

A note from Ellen

I just wanted to thank Sam for the post, and to acknowledge in the tradition of Historical Ragbag that many of the advantages for the colonisers that Sam discusses in the post are structures that I have directly benefitted from with both sides of my family arriving in the 1850s as these structures were being actively imposed.

Easy to Evil Australian History Quiz.

This is how the quiz works.

There are twelve questions.

There are three sections: easy, hard, evil.

There are four questions in each section.

You get the question then a photo and the the answer is below the photo.

Keep track of how you do because there is a scoring system at the end.

Enjoy 🙂

EASY

  1. What is the name of the market in Melbourne which is built on a graveyard on the corner of Victoria and Elizabeth street?IMG_1142

Answer: Queen Victoria Market. You get the point if you said Queen Vic, Vic or Victoria Market. For more information on the graveyard click here

 

2.  What is the southern most point of mainland Australia which is named after Thomas who was a friend of Matthew Flinders?

IMGP0304.JPGAnswer: Wilson’s Promontory

 

 

3. When was Federation in Australia?

PA0013 Answer: 1901 . The picture is Tom Robert’s painting of the opening of Australia’s first parliament in May 1901. For more information click here

 

 

4. What year was the Eureaka Stockade

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Answer: 1854. The photo is of the flag of the Southern Cross.

 

HARD

5. Where did Australia’s parliament sit from 1901-1927?

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Answer: Parliament House Melbourne. For more information on the fascinating building click here.

 

 

6. Where was the first shot fired by the British Empire in World War One ?

pn cheviot 1

Answer: Point Nepean in Victoria. For more information click here

 

 

7. What island did Captain James Cook name after he ‘discovered’ it on June 7th 1770?

IMGP3548.JPGAnswer: Magnetic Island.

 

 

8. What is the name of the beach Harold Holt drowned at and what year did he drown?

PN cheviot 2Answer: Cheviot Beach 1967. For more information click here.

 

 

EVIL

9. What is the name of the boat that sank off the shipwreck coast in Victoria on the 1st of June 1878?

loch ard sunshneAnswer: The Loch Ard. The photo is of Loch Ard Gorge. For more information click here.

 

10.  What is the name of the man who named the Grampian Mountains in Western Victoria and mapped much of the district?

IMG_7551Answer: Major Thomas Mitchell. For more information click here. 

 

 

11. What is the name of the small Victorian town named after the man who was Governor of Victoria from 1926-1931?

IMGP2217.JPGAnswer: Somers. The photo is of Somers’ beach.

 

12. What is the name of the first lighthouse to be erected in South Australia?

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Answer: Cape Willoughby Light House.

 

THE END

So that’s it. How did you do?

1-4: Well you’ve got some basics down pat. Good start.

5-8: Impressive. You know you stuff.

9-12: Incredible effort. You may know more than is sensible:)

12: If you got them all… Sure you didn’t write the quiz?

 

Hope you enjoyed it.

 

The photos are all mine apart from the Tom Roberts painting which can be found at http://www.aph.gov.au/Visit_Parliament/Parliament_House_Art_Collection/Tom_Roberts_Big_Picture and the Eureka Flag which can be found at http://www.artgalleryofballarat.com.au/exhibitions-and-events/collection/australian-collection/the-flag-of-the-southern-cross-(eureka-flag).aspx

 

 

ANZAC Day

I know ANZAC day has come and gone, but it represents something interesting in Australia and I thought it was worth a post.

There has been so much written about ANZAC day I’m not going to retread old ground.

You can see from the list of articles at both New Matilda and The Conversation that it is in many ways a controversial topic. Especially when it comes it Australia’s indigenous population, both in the lack of recognition of their contribution to Australian war efforts and whether the the white occupation of Australia can be considered a war. I am not offering a personal opinion in this second matter because political opinion is not the purpose of this blog.

https://theconversation.com/search?q=anzac

https://newmatilda.com/?s=anzac+day

This year was the centenary of ANZAC. I thought it was worth having a very quick background of what ANZAC day actually is.

ANZAC to start with stands for Australian and New Zealand Army Corps. ANZAC day began originally to commemorate the Gallipoli Landings on the 25th of April 1915.

The purpose of the Gallipoli landings was to draw the Turks away and to stop them over running the Russians in the Caucasus. Russia had suffered a terrible defeat at the hands of Germany and Turkish forces in the Caucasus were pushing them hard. So Russia appealed to its ally Great Britain to launch an attack against the Turks. The British were in favour partly because they saw it as part of protecting the Suez Cannel.

Several tactics were somewhat cautiously tried but ultimately it was decided that attacking the Dardanelles with troops was the preferred option. The ANZACs were training in Egypt and were thus perfectly placed to serve in the attacking force.

For more information and a map of the Gallipoli peninsula see

http://www.gallipoli.gov.au/why-gallipoli/events-leading-up-to-the-landing.php

So on the 25th of April 1915 a mixture of nationalities, it wasn’t all ANZACs, tried to land on the Gallipoli Peninsula.  Many died before they even made it to the beach. There is debate over whether they were sent to the correct position or not, but regardless they were faced with hilly, sandy and scrubby terrain with little cover. The attack on Gallipoli lasted until the 3rd of May 1915 and was a failure for pretty much everyone. The Turks lost a lot of men, more than the allies, and the allies retreated defeated.

The numbers that died at Gallipoli are debatable but a rough estimate is

Gallipoli dead
Ottoman Empire 86000
Australia 8700
New Zealand 2700
British Empire (apart from A & NZ) 27000
France and French colonial troops 9000

 http://www.gallipoli.gov.au/frequently-asked-questions/faq-the-gallipoli-campaign.php

Overall roughly 134 000 died at Gallipoli which is approximately 600 a day.

There weren’t really any winners here.

I think one of the most moving depictions of Gallipoli I have ever seen is Eric Bogle’s song And The Band Played Waltzing Matilda. I learnt it in Primary School and it has stuck with me ever since. A picture story book has been created of it with Illustrations by Bruce Whatley. You can see some of the book here. And the video below shows Eric Bogle singing the song.

The final verse of the song is I think an interesting look at how ANZAC day is seen now.

And now every April I sit on me porch

And I watch the parade pass before me

I see my old comrades, how proudly they march,

Reviving old dreams of past glories.

But the old men march slowly, old bones stiff and sore.

They’re tired old heroes from a forgotten old war

And young people ask, what are they marching for?

And I ask myself the same question.

http://ericbogle.net/lyrics/lyricspdf/andbandplayedwaltzingm.pdf

What ANZAC day has come to mean for Australia is a tricky one. It seems to be all about mateship and Australian identity. Despite the fact that it is based on a defeat, it has somehow come to be seen as the forging of an Australian identity. You have to remember federation was only 14 years before the battle so there isn’t much else that can be seen as a turning point to Australia seeing itself as a nation in it own right rather than an outpost of Great Britain.

ANZAC day has come to be commemoration of those who have fallen in all wars that Australia has fought in, though again some are possibly excluded. It certainly means a lot to a lot of people.

Leading up to ANZAC day it was everywhere from biscuits

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To historical displays. Like this one at the Prahran Mechanic’s Institute.

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To full installations of replica trenches such as those at the Caufield RSL

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There were also installations of knitted poppies across the CBD

IMG_1350 IMG_1351 IMG_1354 IMG_1355 IMG_1358

If it is possible to be hagiographic about an event then that is how Australians are about ANZAC day. It is somehow sacred, the holy day for a largely irreligious country. Criticism is not permitted. But even though school children learn the basics of the history the realities are forgotten in the push to canonise the ANZACs. I am not for a moment saying that they weren’t very brave, that what they did shouldn’t be commemorated. I just think the reality of the situation which was in many ways remarkable is being lost in this canonisation. I think in putting the ANZACs on a jingoistic pedestal we are losing their humanity. Two works from Leunig sum it up beautifully.

truth-is-the-first-casualty-of-war-commemorationjpg

http://jasongoroncy.com/2015/04/22/on-war-commemorations/

1429596254834http://www.theage.com.au/comment/the-age-letters/anzac-commemorations-jingoistic-element-is-deeply-alienating-20150421-1mpytk.html

As this year was the 100th anniversary I went along to the dawn service at Melbourne’s Shrine of Remembrance. I was there by about 5:10 am and there were already thousands and thousands of people. It obviously really means something to Australians.

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The weather was horrific, it rained the whole time and it was cold and everyone was standing there for nearly two hours, packed into the crowd. I couldn’t even get close enough to see the speeches. They had screens up everywhere to make sure people could see something.

There was no issues and no loud complaining.

Below you can hear the Ode for Remembrance and the last post as well as the minute’s silence. You have to remember that there were thousand’s of people there and despite this the silence was still absolute.

The Ode to Remembrance that is read out at most war commemoration services is part of a longer poem.

For the Fallen

With proud thanksgiving, a mother for her children,
England mourns for her dead across the sea.
Flesh of her flesh they were, spirit of her spirit,
Fallen in the cause of the free.

Solemn the drums thrill: Death august and royal
Sings sorrow up into immortal spheres.
There is music in the midst of desolation
And a glory that shines upon our tears.

They went with songs to the battle, they were young,
Straight of limb, true of eye, steady and aglow.
They were staunch to the end against odds uncounted,
They fell with their faces to the foe.

They shall grow not old, as we that are left grow old:
Age shall not weary them, nor the years condemn.
At the going down of the sun and in the morning
We will remember them.

They mingle not with their laughing comrades again;
They sit no more at familiar tables of home;
They have no lot in our labour of the day-time;
They sleep beyond England’s foam.

But where our desires are and our hopes profound,
Felt as a well-spring that is hidden from sight,
To the innermost heart of their own land they are known
As the stars are known to the Night;

As the stars that shall be bright when we are dust,
Moving in marches upon the heavenly plain,
As the stars that are starry in the time of our darkness,
To the end, to the end, they remain.

http://www.greatwar.co.uk/poems/laurence-binyon-for-the-fallen.htm

I think the stanzas that are read out are by far the best part of the poem. It was written by Robert Laurence Binyon and was published in the Times on the 21st of September 1914, months before Gallipoli and it was written only a few weeks into World War One, so well before the true extent of WWI was really known.

Personally I prefer the war poetry of Wilfrid Owen and Siegfried Sassoon. I’d like to finish on my favourite of Sassoon’s poems.  One I think that sums up the horror of war, better than anything I’ve ever seen or anything I could say. It isn’t a poem about sacrifice, or bravery, or heroism. It’s a poem about the reality.

http://www.eecs.harvard.edu/~keith/poems/suicide.html

Suicide in the Trenches

I knew a simple soldier boy
Who grinned at life in empty joy,
Slept soundly through the lonesome dark,
And whistled early with the lark.

In winter trenches, cowed and glum,
With crumps and lice and lack of rum,
He put a bullet through his brain.
No one spoke of him again.

You smug-faced crowds with kindling eye
Who cheer when soldier lads march by,
Sneak home and pray you’ll never know
The hell where youth and laughter go.

I think I’ll leave it at that.